Doug, an aspiring country singer, has spent his life as a loser in a non-descript small town with nobody believing in his heartbreaking voice and talent as a musician. His wife has left him and only his best friend believes in him. But he has one last chance to make it.

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Who really benefits from technological progress? In Silent Engine, Korean interdisciplinary artist Kahee Jeong uses image and sound to show how the digital divide and an increasingly exclusive future is changing our society. 　　In Silent Engine, Kahee Jeong explores the quiet but profound changes shaping technology and society. Inspired by thinkers such as Seneca, Alvin Toffler and Bernard Stiegler, Jeong reflects on the ‘inability to adapt’ to the rapid technological developments of our time. Jeong shows how these changes can lead to emotional consequences such as alienation, stigma and fear, especially among vulnerable groups such as the elderly, low-income people and those with limited educational opportunities. 　　Using a multidisciplinary approach, Jeong creates an experience that invites viewers to explore the psychological and social consequences of ‘digital deprivation’. Silent Engine asks critical questions about the assumption that technological progress benefits everyone. Instead, it exposes how these advances increase inequality and threaten diversity – a crucial element for a resilient society. 　　Like a ‘silent engine’ propelling change, Silent Engine reveals the subtle forces shaping our modern lives. The work invites reflection on the often invisible divisions in our hyper-connected world. 　　Kahee Jeong is an artist in residence at IFFR 2025. This residency is a collaboration with V2_Lab for Unstable Media, where artists are invited to explore the cross-fertilisation between film and media art.

In the 1930s, Charles Lang invents an engine that runs using water for fuel. But when he tries to get it patented, he is first offered a ridiculously low amount. When he refuses, he is suddenly several people are pressuring him to sell. The big oil companies don't want the competition. Now he has to try and keep them from getting his idea, and somehow get it published.

Movements of resistance are collapsed and woven together, from reflections of one’s own body in the world today to documentation of Alcatraz, the reclamation of Cahokia, and the repatriation of the ancestors. 　　源自：https://festival.sundance.org/program/film/638a1d8fd406b20ef7f2e032

Two recent college graduates, Anne, an ambitious law student and Amir, an aimless escalator attendant and aspiring sculptor move into a 300 square foot apartment and try to start a life together. But the combination of their small apartment, their threateningly handsome neighbor across the hall and unexpected visitors from the past make them realize that maybe they aren't as perfect for each other as they previously had thought.

Presents a filmed, intercontinental conversation that links moderator Edward R. Murrow in New York with three internationally known figures located in different parts of the world. What set this apart from other televised interview/discussion programs was the fact that its participants could not see each other but could hear one another via telephone lines and radio.

Conrad Lang, a handyman in a rich family - he has been raised like a brother with Thomas, who has the same age -, accidentally puts fire to the big holiday house he keeps. He returns to the town he grew up in, to the family home, where Philippe, Thomas's son, and Simone are getting married. Conrad's frequent memory loss and behavioural problems rapidly reveal a neurological disease (Alzheimer's is suggested by doctor Cohen when he examens Elvira) which leads Elvira, Thomas's stepmother, to install Conrad in a guesthouse on the property, with the help of a nurse. When Conrad looses more and more his landmarks in present and past, memories of his youth come back to surface. They intrigue Simone, since these memories do not entirely fit together with the official family history...

Al Klein and his longtime friend, Ash Martini, own a used car lot and these two know every trick in the book when it comes to selling cars. Klein still pines for his ex-wife Barbara who left him years ago for a more successful man. After their son Freddy graduates from high school, he decides to forego college in favor of selling cars with his old man. But what’s good for Klein might not be the best thing for Freddy, as he quickly transforms from an innocent young man into a jaded car salesman, leaving Al with a tough decision to make.